(via nostrich):
This mysterious form was presented to me after submitting a job application. Its purpose is not mentioned anywhere, the application itself — which included areas for a resumé and cover letter, so it’s not for that — was complete and had been submitted at that point. What exactly did they expect me to upload? And why are JPGs an option?
My only conclusion was that it was some sort of psychological profiling (note the title: attach files to my profile); when presented with the opportunity to upload anything and attach it to a job application, what will the individual attach? If this was the case, I passed with flying colours: I uploaded a copy of Anna Karenina I downloaded (demonstrates literary depth and that I am an intellectual), a drawing depicting how tidy my bedroom is with a view of my colour-sorted bookshelf (excellent work ethic, very organised, creative), a photograph of my penis (very manly, and works well with women), a zipped backup copy of my entire hard drive (prepared for disaster, aware of the importance of platform agnostic compression, and just in case I lose mine), and a photograph of my ex-girlfriend nude (I am a giver, I get on well with colleagues, I have impeccable taste in women).
I’ll let you know how it turns out, guys.
The one where an article extolling the virtues of @font-face makes a pretty good argument against it by completely ignoring how it will look for Windows users. (The screenshot appears to help, but check it out in Windows if you have access.) Enabling Cleartype — not enabled by default, not even there as far as most users are concerned — helps, enabling “standard” aliasing just makes it worse.
I fail to see how this technology is going to be any different from CSS 3, or HTML 5, or even plain old CSS 2: fucking mind-blowing in the right hands, and a complete, unmitigated disaster in everyone else’s. So basically, all the web designers and typography nuts will have awesome looking websites, some other people’s websites will be a disgusting mish-mash of Roman, Blackletter, all caps, small-caps, monospaced and unlicensed fonts, and everyone else will continue to use Verdana or Helvetica.
Net gain: ?
Net gain: same as it ever was. People who know their shit will make some nice things. People who don’t understand it will make shitty things. People who know how to write well, like yourself, write good stories. People can’t write well will write LiveJournals. People who will now use this technology to make a mishmash of blackletter and novelty fonts are the same people who currently spruce up their pages with Comic Sans or Impact.
Along the same lines, the new @font-face fonts look shitty in Windows, but then the old web standards also look shitty in Windows, because it’s the same rendering. Incremental change on the internet always has been like this, but we are clearly in a better place today than we were in 1999.
And finally, I feel the need to point out that @font-face is a part of CSS3, not separate from it.
Earlier in the month, I tasked Marcus with making me a mix of rock songs that sample other classic rock songs. I didn’t know this song, Jarvis Cocker’s “Black Magic”, sampled from Joan Jett’s “Crimson & Clover”* until last night when the latter song popped up during karaoke, and I was left wondering, “I feel like I know this song, but I don’t recognize it.” So, this one’s for you, Marcus.
On a related note, I think this is the first sample I’ve recognized that Marcus hadn’t known first, so go me.
*The song was originally performed by Tommy James & The Shondells, but it’s evident to me the sample was taken from Jett’s version.
Today, in contrast, one particular Leonard Cohen song is featured prominently in no less than three separate episodes of teen uberdrama The OC, and can be heard in at least twenty-four separate movies and TV episodes, almost always as the soundtrack to a montage of people being sad.
What I hope to show today is how, exactly, that happened to a song called “Hallelujah.”
I liked this lengthy article, and am surprised at the absurd start of this beautiful song. I admit the Buckley version is quite nice, but my heart tends to prefer the Wainwright version, probably because I heard it first, but also because my voice is similar to his and I like singing along with it. (via nostrich)